Good Old War
After two years of existence, Good Old War is gearing up for the release of their self-titled highly anticipated follow-up with lyrical topics ranging from love and loss to living life and everything in between. The album urges listeners to be aware of their own mortality by spending their days doing what they love; after all, it's a product of Good Old War doing just that.
Holed up in a remote house in the Pocono Mountains through the white winter month of February 2009, Keith Goodwin (vocalist/guitarist), Dan Schwartz (vocalist/guitarist), and Tim Arnold (vocalist/drummer) coalesced into a dynamic harmonious unit, using their time in complete isolation to explore new approaches to their music-making process: they learned new instruments; they wrote about subjects like love, loss, and addiction; they explored musical conventions far outside indie-rock/folk territory. Good Old War's sophomore album doesn't just maintain the intricate vocal harmonies, infectious sing-along melodies, and pop-song writing foundation of Only Way To Be Alone, it expands them. The results are a collection of songs that could translate from a living room to an arena without losing their heartbeat.
Holed up in a remote house in the Pocono Mountains through the white winter month of February 2009, Keith Goodwin (vocalist/guitarist), Dan Schwartz (vocalist/guitarist), and Tim Arnold (vocalist/drummer) coalesced into a dynamic harmonious unit, using their time in complete isolation to explore new approaches to their music-making process: they learned new instruments; they wrote about subjects like love, loss, and addiction; they explored musical conventions far outside indie-rock/folk territory. Good Old War's sophomore album doesn't just maintain the intricate vocal harmonies, infectious sing-along melodies, and pop-song writing foundation of Only Way To Be Alone, it expands them. The results are a collection of songs that could translate from a living room to an arena without losing their heartbeat.


